Five good reasons why Microsoft will obliterate Spotify

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When word came out on Monday that Microsoft will launch a music streaming service by the end of the month, Spotify CEO Daniel Ek must have slumped in his chair with his head in his hands. Spotify was never going to be the only kid on the block – Ek would’ve known that – but for their first direct competitor to be the ‘Soft is pretty bad luck. There’s a lot that Spotify has done right but these are five good reasons why the global immovable object will be too much for music’s current irresistible force:

1) Microsoft will have better content

We’ve all had quite a while to play with Spotify now and I’ll challenge anyone not to have had several disapointments at the depth of their music catalogue. They’ve done a decent job but it just doesn’t compare to any other good music service. Have a quick browse around on iTunes, Last.fm and even Nokia Comes With Music and you’ll realise what a real music library is all about.

It’s all about deals with the record labels and the fact is that Microsoft has a hell of a lot more clout than a Johnny-come-lately start up from Sweden. No offence Mr Ek. You have a fan in me but there’s just no comparison.

Gates, Ballmer & Sons will bowl into all the offices of all the music people and walk out with as many tracks as they like and, at the end of the day, why would you bother with both music services as a consumer when one of them has all the tracks you want and the other doesn’t?

What’s more, there’s a very good chance that they’ll add video too. Now, that might be a paid for service, much in the same way that you can rent TV and films through BT Vision or the Apple Store, but it might also be free, provided the rest of the model proves financially successful.

2) Microsoft will make the model work

There’s quite a few murmurings that Spotify isn’t getting all that many people to sign up to the premium paid for service and I’m not hearing and seeing many different adverts on the player an in the music stream either. It all rather points towards the fact that the business model has yet to become fully viable. Now, I’m sure there’s a long term plan that we’re only seeing the tip of at the moment but those ad spaces now filled with voicemail messages from users aren’t wildly encouraging.

The trouble is that Spotify may never get to the point where there business model starts to reap the dividends with Microsoft wading in as soon as they have. If you’re an advertiser, where are you going to spend your money? Their profile is just too big and Spotify’s only hope here is that Microsoft will be too greedy with their ad price. Still, I can see agencies stumping up the extra cash just to make sure they’re getting the right exposure.

3) Microsoft is already in everyone’s home…

…and Spotify isn’t. This isn’t so much a size issue as one of distribution and exposure. Hang on, that’s basically the definition of size.

Any road, the point is that 90% of the world’s computers are still Windows machines. You and I may have heard of Spotify but you can bet we’re in some tiny percentage that has. Most people are going to hear about Microsoft’s music service first through a million different channels and that’s the one they’ll use because they trust it and it’s like it’s already there. It’s the AOL effect.

Not a lot Spotify can do about that one.

4) Microsoft has Xbox and Zune

Supporting hardware is going to be a big factor here. Spotify has launched an APIlimited though it might be – but Microsoft don’t have to wait for people to come and develop apps for them. They’ve already got their own mobile OS. They can slap it straight on the front page of each phone that carries it. They can do the same to every desktop copy of Windows too.

Better still, they’ve got a home music player and mobile one of their very own. They’ve already said that they’re going to get the Xbox involved and they’d be crazy not to get the Zune in on the action too. Not only would it make their music service an obvious universal solution choice ahead of Spotify but it would also start to turn the Xbox into not just a games player but a proper home media centre. £100 says the next iteration is all about integration and HD video streaming.

5) Microsoft will have fewer teething problems

There’s still issues with using Spotify as Duncan pointed out a while back and they’re not the kinds of things that Microsoft is going to get wrong. They won’t have difficulty taking payments, they’re bound to have the kind of code in place to allow the integration of your own music library and anything else that they’ve got a problem with they’ll get sorted quickly. They’ll just throw a team of developers at it. Their platform will be a well oiled machine long before Spotify’s is and that could cost Sweden’s second favourite export.

The flip side to all this is that where Microsoft might be quick to develop they’re going to be slower to implement. When you’re going for total music domination, you’ve all those different platforms and devices to consider. Spotify does’t have that problem. It’s smaller and more agile. It’s not a lot to work with but I know enough about guerilla warfare to know that you’ve got to fight with your strengths and attack your enemy’s weaknesses. For example, if Spotify is thinking of getting into video, it might be a good idea to do it now, quickly. Moving into mobile phones yesterday would also be a big help. It’s time to get prolific.

Conclusions

I’m not a fan of any big corporation, so I’d be sorry to see Microsoft squash the competition, particularly when it’s one we’ve come to know and love. It’s the reach of the multi-national leviathan that’ll do for little old Spotify but there is a hope, and quite a good one, that Microsoft will cock it up. They’ve made plenty of mistakes in the past.

Make users pay for the service, add in too many limiting stipulations, throttle the idea in any way and no one’s going to want to bother with what they’ve got, no matter how big their library.

I’m looking forward to seeing which way they take it come the end of the month. If they’re sensible, this could be the change Microsoft has been looking for – a move away from piratable software and into money making services. If it works well enough, maybe even Windows will be free in the future? Nah.

Microsoft to launch free music streaming service in July

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Yesterday was a big day for Microsoft. Office 2010 went into trials, they announced a suite of free cloud based applications to rival Google Docs, Zoho et al and the sneaky one that no one was expecting was the launch of a music streaming service to take on Spotify too. I’m surprised they didn’t launch their own social networks to go after Twitter and Facebook.

It’s not clear, as yet, as to how large the catalogue will be or quite how many ads, if any at all, we’ll have to put up with. What has been indicated in an interview with the Telegraph is that you’ll also be able to pay to download the tracks, much like 7Digital do for Spotify, and that the service will link in with the Xbox 360.

They’ll be more details within days, no doubt, as the service is set to launch by the end of the month. Now, why do I have a nagging feeling that Microsoft are going to throttle the whole operation somehow and actually make it rubbish?

7Digital brings MP3 downloads to BlackBerry App World

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RIM continues on its mission to get down and funky with the consumers by offering some music for people to listen to on their QWERTYful phones. The tunes come courtesy of UK company 7Digital and their catalogue of 6 million tracks which will be available from 79p each on over-the-air download straight to your mobile.

Albums will cost you £7.99 but the frightening words spoken are that “most” of the tracks will be DRM free. Most? Most? When did 7Digital get into the DRM game and why?

The access will be as a downloadable app from the BlackBerry App World after which you’ll be able to browse 7Dig’s library provided you live in the UK, US, Canada, France, Italy, Germany or Spain.

For a closer inspection of App World, take a look at our app store comparison

BlackBerry App World | 7Digital

Orange Music Store goes DRM-free with 79p music buffet

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DRM-free is becoming all the rage, as well it should, and today Orange is the latest portal provider to jump on the digital music band wagon. So far they’ve persuaded EMI, Universal and ” a number of independent labels” to offer up their tracks and doubtless the other two majors will follow at some point.

For now, there’s 700,000 tracks to chose from which you can download over the air or to your PC and do with as you will. You’ll only pay the once and prices start at an iTunes sounding 79p.

You can start your downloading from today and it’ll be interesting to see how this sits alongside services which Orange supports like the DRM-heavy Nokia Comes With Music. Still, always nice to have more options.

Orange (via @recombu)

Michael Jackson sells 2.6 million downloads in a week

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Michael Jackson has become the first artist to sell over 1 million downloads in a single week obliterating all other acts on the Billboard charts.

A total of 2.6 million tracks by the great man and the Jackson 5 were snapped up in the week ending 28th June and the sadly demised King of Pop cleaned up in the album charts too. The Billboard Comprehenisve Album Chart takes into account both new release and catalogue sales for the week. MJ’s albums occupy the top three slots with Thriller at three, Essential Michael Jackson at two and Number Ones, appropritately enough, at number one.

It’s the first time a catalogue album has beaten a new release to the top spot. Not bad for a dead guy.

(via the Next Web)

Get your record cut at Abbey Road

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Fancy having your music mastered at the famous Abbey Road studios? Not very likely unless you make it big-time. Well, not very likely until now that is.

The legendary studio is launching an online mastering service this month where musicians and producers can send their tacks to be mastered by Abbey Road’s top engineers using the world famous equipment such as the original EMI TG mastering consoles with the SADiE 5 PCM8 digital audio workstation.

Users can upload up to 2GB of audio onto a dedicated server in uncompressed WAV or AIFF format and sit back and wait whilst the experts do their thing. Within five working days users will receive an email with a download link. The link will stay live for a month and the mastered tracks will be in WAV, DDP image file or an audio PMCD. Vinyl will be provided in the format requested – either 7-inch, 12-inch or LP album. Additional copies can also be produced on CD or vinyl.

The cost is on a track by track basis (£90 per track) with a fixed price for vinyl masters depending on the format.

If you fancy giving the service a try go direct to the Abbey Road Studios online mastering service. Your band may not be as good as The Beatles but at least you can get your music mastered at the same place that they did.

UK top 40 to include streaming songs

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The UK singles chart is to be revamped to include songs played via streaming services. The move would mean that, for the first time since it began in 1952, the chart would not be simply compiled via music sales.

With services like Spotify and We7 becoming ever more popular the UK Charts Company said the charts were “bound to” incorporate streams although the changes might not be in place until 2010.

The company said: “The charts have always been there as a popularity poll, as a means of identifying what are the hottest records of the moment. That’s been relatively simple when people have bought stuff to keep forever. But that’s going to become increasingly more complicated.”

No exact details of how streams will be counted have been revealed although it has been suggested that they will carry less weight than actual sales.

In terms of keeping the charts as an actual representation of popular music, the proposal has to be a good thing. But the system will have to be properly monitored as there are a number of additional factors to consider.

What happens, for example, if a tune is streamed but then stopped or skipped by the user? Also, what about when a stream finishes and a new one automatically starts without the user specifically selecting that stream?

It will have to be policed as well, as the system would be open to corruption. It would be fairly easy for an artist to set up a couple of computers to continuously repeat their selected stream over and over again. Some sort of IP address tracking will no doubt come in to play.

Currently the top 2 songs on Spotify are Right Round by Flo Rida which was released in January and Kids by MGMT which first came out in October last year. This would indicate that songs don’t necessarily have to be brand new to be popular. The charts could be in for a bit of shake up then.

(via BBC)

Spotify to stream at CD quality

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Last week we told you that Spotify was planning on a new range of services for its premium users. Well music lovers, the first of these services is being launched this week – CD quality streams.

Currently Spotify streams the songs in its catalogue at 160kb/s but this will be doubled to 320kb/s using an ogg vorbis q9 codec. Premium users need to change their preferences in order to benefit from this upgrade by ticking the box that says ‘enable high bitrate’ in their options menu.

To begin with the improved quality will only be available on the most popular tunes but will be rolled-out to the whole database within a few weeks. Spotify CEO and founder Daniel Ek says the upgrade means an “unparalleled listening experience” for premium users.

Spotify also claims that the upgrade means they will be offering “the highest streaming rate for any digital music service”.

It will be interesting to see how the market responds to this news. Will the amount of subscribers to Spotify’s premium service increase? Will you be upgrading your account?